This triad of self-portraits explores the presence of self without direct visibility, framing my body without revealing my face. I was drawn to abstraction, using soft lighting and the fluidity of silky textures to suggest form without definition. The city becomes a quiet undercurrent in these frames, a space that is both seen and felt, shaping my movements and holding my reflections. Through this series, I consider how self-portraiture can be less about recognition and more about presence, intimacy, and the spaces we live in.

Photographed digitally (Canon EOS Rebel T6i).